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Prepare for a night of cabaret, camp and surprises at Intrepid Theatre's winter cabaret of queer art, HOMO: A Qeer Cabaret. HOMO is a unique night of art, performance, experimentation, frivolity and a celebration of queer performance. This campy cabaret features a diverse line-up of queer artists, experimenters, and boundary pushers in raucous cabaret acts, and brand new work. Hosted by vintage vixen Vivian Vanderpuss(Season 3 of Canada's Drag Race), and the queen of East Van, Peach Cobblah. Join us at new venue for HOMO 2026 and kick off the holigay season with this much-loved show!
Alix Goolden Performance Hall
Alix Goolden Performance Hall
Lip Service, Pulsive Party Lip Service follows two larger than life vulva characters through hilarious scenes and songs as they navigate their relationship to service, self-acceptance, and empowerment. Through absurdist humour, Lip Service celebrates the strength and spirit of vulva bodies while tackling the complexities and contradictions of empowerment in today’s society. Negotiating a world of misinformation and increasingly demanding tasks, this dynamic duo transform on a dime to tackle each new challenge and excel at every role. They perform a series of songs, dance routines, and health advice - each increasing in complexity and difficulty. As the obstacle course of endurance begins to take its toll, our vulva characters start to question their unwavering commitment to the cause, while animating how modern day patriarchy continues to pit us against ourselves, and one another. “No matter what sex organ you have… Lip Service teaches a bold lesson on honouring what you've got." - CBC Manitoba About the Artist Pulsive Party consists of multidisciplinary artists Ashley Whitehead and Natalie Tin Yin Gan. Since 2012, the two have used their best friend humour, signature campy playfulness, and extensive performance backgrounds in dance, clown, voice, and writing to create performance. Their Lip Service shows engage pertinent social and political issues, tackling shame and taboo conversations in funny and unforgettable ways. Pairing with Ashley’s role as a sexual health educator, Pulsive Party shows create camaraderie and access to information, aiming to empower every body to make informed decisions about their health, lives, and relationships. Credits Ashley Whitehead (they/them) Natalie Tin Yin Gan (she/her) Stage manager - Kayleigh Sandomirsky (she/her) Accessibility Sensory Warnings: Haze, Loud Noises Content Warnings: Sexual content Pay-What-You-Ten Tickets: 10% of tickets are available for $10, in an effort to make theatre more accessible to equity-seeking groups, newcomers, artists & arts workers, and anyone for whom cost is a barrier. We believe the arts have something to offer everyone and we want to reduce financial barriers to our programming. No registration, forms to fill out, or questions asked. Just select the PWY10 ticket when booking online. Arrival at the venue: The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
Secret Ingredients is a theatre project created by Keely O’Brien that uses cake to explore the intricacies of human relationships. Leading up to the performance, the public is invited to consider messages that they find too difficult to express directly to someone in their life, and submit them via an online form. These messages are translated into beautiful, subversive, and delicious cakes, which are delivered to the intended recipients as an edible form of communication. The project culminates in a live performance and cake tasting, inspired by the cakes and the stories behind them. Like overhearing tantalizing gossip at a neighbouring cafe table, Secret Ingredients satisfies a human itch to peek into intimate and relatable details of other people’s lives, while also inviting reflection on our own unspoken feelings. The project pairs sweet flavours with challenging messages: the dark chocolate of embarrassment, the citrus zest of annoyance, the tart cherry jam of grief. Secret Ingredients takes a playful and intentionally inefficient approach to the challenges of honest communication, and provides a window into the quirks, nuances, joy and heartache of real relationships. About the Artist Creator/Performer: Keely O’Brien Keely O'Brien is an interdisciplinary artist whose practice incorporates handmade objects with innovative theatre creation. Devoted to a thoroughly DIY process, Keely’s work includes experimental performance, imaginative ephemera, and interactive experiences. She often creates collaborative projects with community members who may not consider themselves artists, and invites the public to participate in unusual meaning-making experiences. Keely is Co-Artistic Director of Popcorn Galaxies, a theatre company with a focus on unconventionally structured, site-specific, and audience-activated performance. She holds a BFA in Theatre Performance from Simon Fraser University, and is a self and family-taught visual artist. Stage and Production Manager: Joël Azevedo Joël Azevedo is a dance artist and stage manager. As an independent artist their skill set includes production, stage, and tour management, with an emphasis on logistics coordinating for non-traditional shows and venues. Access Consultant: V West V West is a non-binary artist, arts worker, and disability advocate. Their practice draws from their lived experience of neurodivergence, madness, and chronic illness. As an artist, their projects explore how disability can reshape understandings of self, kin, and community. As an advocate and educator, V contributes to disability-led consultation, education, community organizing, and peer support initiatives. Access Consultant: Amy Amantea Amy Amantea is a legally blind artist, actor and advocate for persons with disabilities. Amy is Associate Director at VocalEye, and spends her time volunteering in the community, enhancing accessibility and creating awareness around sight loss. Sound Designer: Alex Mah Alex Mah is an interdisciplinary artist, composer-musician, and performer. His electroacoustic music investigates time and timbre and his written music explores embodied concepts such as chance, choice, and relationality in performance. He has performed in Canada, the U.S., and Germany and holds a BFA from SFU (Canada) and an MRes from Bath Spa University (U.K.) under James Saunders. Projection and Lighting Designer: Andie Lloyd Andie Lloyd is a queer interdisciplinary artist and community advocate who works primarily as a lighting and video designer for live performance. They studied Theatre Production at Studio 58 and have worked across Canada and internationally with numerous professional companies including Neworld Theatre, FakeKnot, rice & beans theatre and PuSh International Performing Arts Festival. Mentor: Maiko Yamamoto Maiko is a Vancouver-based artist who creates new, experimental and intercultural performances rooted in long-term collaboration. She co-founded Theatre Replacement in 2003, where she has created over 25 new performances that have toured across Canada and internationally, and leads initiatives such as HOLD ON LET GO, COLLIDER residency program and the Accelerator Lab International Fellowship. Maiko directs, creates, teaches, mentors and curates for organizations in Canada and abroad. She holds a BFA from SFU School for the Contemporary Arts and an MAA from Emily Carr University, and recently premiered End of Greatness, a new multidisciplinary performance created with longtime collaborator and friend, Veda Hille. Credits Creator and Performer: Keely O’Brien Sound Design: Alex Mah Projection and Lighting Design: Andie Lloyd Access Consultant: V West Additional Access Consultation: Amy Amantea Production and Stage Manager: Joël Azevedo Props Builder/Buyer: Jesse Orr Mentor: Maiko Yamamoto Accessibility Sensory Warnings: None Content Warnings: mentions of parent’s life threatening illness, psychiatric hospitalization Pay-What-You-Ten Tickets: 10% of tickets are available for $10, in an effort to make theatre more accessible to equity-seeking groups, newcomers, artists & arts workers, and anyone for whom cost is a barrier. We believe the arts have something to offer everyone and we want to reduce financial barriers to our programming. No registration, forms to fill out, or questions asked. Just select the PWY10 ticket when booking online. Arrival at the venue: The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
This is a reading of a new work developed through our stages & spaces program. The Sword Dance is intended for an audience of middle-schoolers (and beyond!), and follows Marigold, a competitive Highland dancer who struggles socially in school and longs for a confidant - who she finds in her new imaginary friend, appearing to her as a Highland Dancing spirit, sharing folklore about the history of the dance, as well as some (questionable, but well-intentioned) life advice. This peppy, quick-paced piece infuses humour, Scottish culture, and sentimentality with the aching awkwardness that is being a middle-schooler who doesn’t quite “fit” - and who is starting to question her feelings for the beautiful red-headed penpal she met a year prior. As if that wasn't enough, Marigold is learning to navigate new hurdles as the first symptoms of fibromyalgia begin to emerge, and she is met head-on with the challenges of a medical - and social - system ill-equipped to recognize or treat invisible disability.
Intrepid Studio
Intrepid Studio
Vibrant Histories Showcase: A Night of BIPOC Burlesque & Drag Add some colour to your life by joining House of Cheek in celebrating Victoria's BIPOC burlesque and drag history! This vibrant showcase is an extension of a 3 day history exhibit and fundraiser for the Shade Burlesque Festival, returning in 2027. Witness local performers from the global majority up close and personal as they share their art. One stage, many stories. This exhibit and show are supported by Intrepid Theatre’s Stages & Spaces and are a fundraiser supporting the Shade Burlesque Festival, returning in the Fall of 2027. House of Cheek is creating bold events unlike any other in Victoria, BC. Since the launch of "Shade: a Night of colourful Burlesque" in 2019, House of Cheek has been actively working to uplift and celebrate the boundary pushers, the underrepresented, and the inspired. It is our goal to highlight performers of colour while creating thriving opportunities for our performers by creating spaces for BIPOC that inspire, celebrate, and hold space for dialogue. Artist Details Artist Bios to come Accessibility Sensory warnings: None Content warnings: Burlesque includes striptease and nudity, usually down to pasties and underwear. Arrival at the Venue The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
What’s Wrong with J McLaughlin Episode 6 - Genius Death to hypocrisy, smash the state, damn the lies. Written for this year’s festival, What’s Wrong with J McLaughlin: Episode 6: Genius is a wild ride through the dark heart of a mean, funny, petulant, weird queer old maid. Expect anxiety, ecstasy, true love, dark thoughts, outer space, inner peace, death, desire, enlightenment, sex, smoking, drinking, fear, rage, paranoia, guilt, greed, pleasure, false bravado, fake impostor syndrome, egomania, megalomania, and cake. Four out of five dysfunctional robots agree: “J McLaughlin’s desperate megalomania will make you feel better about your own problems.” Honesty is always the best policy if you're a lousy liar. Written for this year’s festival, What’s Wrong with J McLaughlin: Episode 6: Genius is a wild ride through the dark heart of a mean, funny, petulant, weird, queer old maid. Expect anxiety, ecstasy, true love, dark thoughts, outer space, inner peace, death, desire, enlightenment, sex, smoking, drinking, fear, rage, paranoia, guilt, greed, pleasure, fake impostor syndrome, egomania, megalomania, and cake. About the ArtistJ McLaughlin is a shy, queer anarcho-bourgeois musician and performer. They have been entertaining, enthralling & occasionally unsettling burlesque, drag, stand-up, theatrical & music audiences for over 30 years. They have been called "hilarious", "legendary", "scary good", "rude", "dangerous" & "intimidating".Working from deep within an incandescent cathedral of optimistic rage, McLaughlin’s solo performances use intimate narrative, dark humour, & surreal ribaldry to deconstruct the cognitive dissonance of living within a cisheteronormative imperialist white supremacist capitalist patriarchy. This Big Mouth Four Eyes Pirate Robot Chicken Baby is learning not to think about what other people think, and loves you from the bottom of their cold black heart. Accessibility Content warnings: Adult Language, sexual content, drugs/alcohol use, depictions/mentions of violence, nudity. From J McLaughlin directly: Absurd surreal violence, such as bathing in the blood of my young coworkers. I might get naked. Arrival at the Venue The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Greenhouse at Victoria Conservatory of Music
Greenhouse - Intrepid
Prepare for a night of cabaret, camp and surprises at Intrepid Theatre's winter cabaret of queer art, HOMO: A Qeer Cabaret. HOMO is a unique night of art, performance, experimentation, frivolity and a celebration of queer performance. This campy cabaret features a diverse line-up of queer artists, experimenters, and boundary pushers in raucous cabaret acts, and brand new work. Hosted by vintage vixen Vivian Vanderpuss(Season 3 of Canada's Drag Race), and the queen of East Van, Peach Cobblah. Join us at new venue for HOMO 2026 and kick off the holigay season with this much-loved show!
Alix Goolden Performance Hall
Alix Goolden Performance Hall
Lip Service, Pulsive Party Lip Service follows two larger than life vulva characters through hilarious scenes and songs as they navigate their relationship to service, self-acceptance, and empowerment. Through absurdist humour, Lip Service celebrates the strength and spirit of vulva bodies while tackling the complexities and contradictions of empowerment in today’s society. Negotiating a world of misinformation and increasingly demanding tasks, this dynamic duo transform on a dime to tackle each new challenge and excel at every role. They perform a series of songs, dance routines, and health advice - each increasing in complexity and difficulty. As the obstacle course of endurance begins to take its toll, our vulva characters start to question their unwavering commitment to the cause, while animating how modern day patriarchy continues to pit us against ourselves, and one another. “No matter what sex organ you have… Lip Service teaches a bold lesson on honouring what you've got." - CBC Manitoba About the Artist Pulsive Party consists of multidisciplinary artists Ashley Whitehead and Natalie Tin Yin Gan. Since 2012, the two have used their best friend humour, signature campy playfulness, and extensive performance backgrounds in dance, clown, voice, and writing to create performance. Their Lip Service shows engage pertinent social and political issues, tackling shame and taboo conversations in funny and unforgettable ways. Pairing with Ashley’s role as a sexual health educator, Pulsive Party shows create camaraderie and access to information, aiming to empower every body to make informed decisions about their health, lives, and relationships. Credits Ashley Whitehead (they/them) Natalie Tin Yin Gan (she/her) Stage manager - Kayleigh Sandomirsky (she/her) Accessibility Sensory Warnings: Haze, Loud Noises Content Warnings: Sexual content Pay-What-You-Ten Tickets: 10% of tickets are available for $10, in an effort to make theatre more accessible to equity-seeking groups, newcomers, artists & arts workers, and anyone for whom cost is a barrier. We believe the arts have something to offer everyone and we want to reduce financial barriers to our programming. No registration, forms to fill out, or questions asked. Just select the PWY10 ticket when booking online. Arrival at the venue: The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
Secret Ingredients is a theatre project created by Keely O’Brien that uses cake to explore the intricacies of human relationships. Leading up to the performance, the public is invited to consider messages that they find too difficult to express directly to someone in their life, and submit them via an online form. These messages are translated into beautiful, subversive, and delicious cakes, which are delivered to the intended recipients as an edible form of communication. The project culminates in a live performance and cake tasting, inspired by the cakes and the stories behind them. Like overhearing tantalizing gossip at a neighbouring cafe table, Secret Ingredients satisfies a human itch to peek into intimate and relatable details of other people’s lives, while also inviting reflection on our own unspoken feelings. The project pairs sweet flavours with challenging messages: the dark chocolate of embarrassment, the citrus zest of annoyance, the tart cherry jam of grief. Secret Ingredients takes a playful and intentionally inefficient approach to the challenges of honest communication, and provides a window into the quirks, nuances, joy and heartache of real relationships. About the Artist Creator/Performer: Keely O’Brien Keely O'Brien is an interdisciplinary artist whose practice incorporates handmade objects with innovative theatre creation. Devoted to a thoroughly DIY process, Keely’s work includes experimental performance, imaginative ephemera, and interactive experiences. She often creates collaborative projects with community members who may not consider themselves artists, and invites the public to participate in unusual meaning-making experiences. Keely is Co-Artistic Director of Popcorn Galaxies, a theatre company with a focus on unconventionally structured, site-specific, and audience-activated performance. She holds a BFA in Theatre Performance from Simon Fraser University, and is a self and family-taught visual artist. Stage and Production Manager: Joël Azevedo Joël Azevedo is a dance artist and stage manager. As an independent artist their skill set includes production, stage, and tour management, with an emphasis on logistics coordinating for non-traditional shows and venues. Access Consultant: V West V West is a non-binary artist, arts worker, and disability advocate. Their practice draws from their lived experience of neurodivergence, madness, and chronic illness. As an artist, their projects explore how disability can reshape understandings of self, kin, and community. As an advocate and educator, V contributes to disability-led consultation, education, community organizing, and peer support initiatives. Access Consultant: Amy Amantea Amy Amantea is a legally blind artist, actor and advocate for persons with disabilities. Amy is Associate Director at VocalEye, and spends her time volunteering in the community, enhancing accessibility and creating awareness around sight loss. Sound Designer: Alex Mah Alex Mah is an interdisciplinary artist, composer-musician, and performer. His electroacoustic music investigates time and timbre and his written music explores embodied concepts such as chance, choice, and relationality in performance. He has performed in Canada, the U.S., and Germany and holds a BFA from SFU (Canada) and an MRes from Bath Spa University (U.K.) under James Saunders. Projection and Lighting Designer: Andie Lloyd Andie Lloyd is a queer interdisciplinary artist and community advocate who works primarily as a lighting and video designer for live performance. They studied Theatre Production at Studio 58 and have worked across Canada and internationally with numerous professional companies including Neworld Theatre, FakeKnot, rice & beans theatre and PuSh International Performing Arts Festival. Mentor: Maiko Yamamoto Maiko is a Vancouver-based artist who creates new, experimental and intercultural performances rooted in long-term collaboration. She co-founded Theatre Replacement in 2003, where she has created over 25 new performances that have toured across Canada and internationally, and leads initiatives such as HOLD ON LET GO, COLLIDER residency program and the Accelerator Lab International Fellowship. Maiko directs, creates, teaches, mentors and curates for organizations in Canada and abroad. She holds a BFA from SFU School for the Contemporary Arts and an MAA from Emily Carr University, and recently premiered End of Greatness, a new multidisciplinary performance created with longtime collaborator and friend, Veda Hille. Credits Creator and Performer: Keely O’Brien Sound Design: Alex Mah Projection and Lighting Design: Andie Lloyd Access Consultant: V West Additional Access Consultation: Amy Amantea Production and Stage Manager: Joël Azevedo Props Builder/Buyer: Jesse Orr Mentor: Maiko Yamamoto Accessibility Sensory Warnings: None Content Warnings: mentions of parent’s life threatening illness, psychiatric hospitalization Pay-What-You-Ten Tickets: 10% of tickets are available for $10, in an effort to make theatre more accessible to equity-seeking groups, newcomers, artists & arts workers, and anyone for whom cost is a barrier. We believe the arts have something to offer everyone and we want to reduce financial barriers to our programming. No registration, forms to fill out, or questions asked. Just select the PWY10 ticket when booking online. Arrival at the venue: The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
This is a reading of a new work developed through our stages & spaces program. The Sword Dance is intended for an audience of middle-schoolers (and beyond!), and follows Marigold, a competitive Highland dancer who struggles socially in school and longs for a confidant - who she finds in her new imaginary friend, appearing to her as a Highland Dancing spirit, sharing folklore about the history of the dance, as well as some (questionable, but well-intentioned) life advice. This peppy, quick-paced piece infuses humour, Scottish culture, and sentimentality with the aching awkwardness that is being a middle-schooler who doesn’t quite “fit” - and who is starting to question her feelings for the beautiful red-headed penpal she met a year prior. As if that wasn't enough, Marigold is learning to navigate new hurdles as the first symptoms of fibromyalgia begin to emerge, and she is met head-on with the challenges of a medical - and social - system ill-equipped to recognize or treat invisible disability.
Intrepid Studio
Intrepid Studio
Vibrant Histories Showcase: A Night of BIPOC Burlesque & Drag Add some colour to your life by joining House of Cheek in celebrating Victoria's BIPOC burlesque and drag history! This vibrant showcase is an extension of a 3 day history exhibit and fundraiser for the Shade Burlesque Festival, returning in 2027. Witness local performers from the global majority up close and personal as they share their art. One stage, many stories. This exhibit and show are supported by Intrepid Theatre’s Stages & Spaces and are a fundraiser supporting the Shade Burlesque Festival, returning in the Fall of 2027. House of Cheek is creating bold events unlike any other in Victoria, BC. Since the launch of "Shade: a Night of colourful Burlesque" in 2019, House of Cheek has been actively working to uplift and celebrate the boundary pushers, the underrepresented, and the inspired. It is our goal to highlight performers of colour while creating thriving opportunities for our performers by creating spaces for BIPOC that inspire, celebrate, and hold space for dialogue. Artist Details Artist Bios to come Accessibility Sensory warnings: None Content warnings: Burlesque includes striptease and nudity, usually down to pasties and underwear. Arrival at the Venue The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Intrepid Studio
Intrepid Studio
What’s Wrong with J McLaughlin Episode 6 - Genius Death to hypocrisy, smash the state, damn the lies. Written for this year’s festival, What’s Wrong with J McLaughlin: Episode 6: Genius is a wild ride through the dark heart of a mean, funny, petulant, weird queer old maid. Expect anxiety, ecstasy, true love, dark thoughts, outer space, inner peace, death, desire, enlightenment, sex, smoking, drinking, fear, rage, paranoia, guilt, greed, pleasure, false bravado, fake impostor syndrome, egomania, megalomania, and cake. Four out of five dysfunctional robots agree: “J McLaughlin’s desperate megalomania will make you feel better about your own problems.” Honesty is always the best policy if you're a lousy liar. Written for this year’s festival, What’s Wrong with J McLaughlin: Episode 6: Genius is a wild ride through the dark heart of a mean, funny, petulant, weird, queer old maid. Expect anxiety, ecstasy, true love, dark thoughts, outer space, inner peace, death, desire, enlightenment, sex, smoking, drinking, fear, rage, paranoia, guilt, greed, pleasure, fake impostor syndrome, egomania, megalomania, and cake. About the ArtistJ McLaughlin is a shy, queer anarcho-bourgeois musician and performer. They have been entertaining, enthralling & occasionally unsettling burlesque, drag, stand-up, theatrical & music audiences for over 30 years. They have been called "hilarious", "legendary", "scary good", "rude", "dangerous" & "intimidating".Working from deep within an incandescent cathedral of optimistic rage, McLaughlin’s solo performances use intimate narrative, dark humour, & surreal ribaldry to deconstruct the cognitive dissonance of living within a cisheteronormative imperialist white supremacist capitalist patriarchy. This Big Mouth Four Eyes Pirate Robot Chicken Baby is learning not to think about what other people think, and loves you from the bottom of their cold black heart. Accessibility Content warnings: Adult Language, sexual content, drugs/alcohol use, depictions/mentions of violence, nudity. From J McLaughlin directly: Absurd surreal violence, such as bathing in the blood of my young coworkers. I might get naked. Arrival at the Venue The doors will open 30 minutes ahead of showtime. Masks are welcomed inside the theatre and available at the box office. Refunds: If you are not feeling well or have any symptoms, please stay home to help keep everyone safe. We are able to discuss refunds on a case by case basis due to health reasons before the performance. Please contact tickets@intrepidtheatre.com. We are unable to arrange refunds after a performance has occurred.
Greenhouse at Victoria Conservatory of Music
Greenhouse - Intrepid